176 bars of 4/4 at 143 BPM, about 4:55 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 63-67, 69-75 and 93-99, and 5 more places -- 32.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 17 times: bars 24, 28, 36, 44, 52, 60 and 11 more.
10 more fills are written out on the fills page.
176 bars across 13 sections: 118 keep time, 17 are fills, 27 are stops and 3 are silent. The longest unbroken stretch of time is bars 160-175.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
176 bars, about 4:55 at the written tempo. The course breaks it into 42 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 17 times: bars 24, 28, 36, 44, 52, 60 and 11 more.