143 bars at 180 BPM -- fast, and 3:11 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 32-33, 36-39 and 42-46, and 8 more places -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 12 times: bars 29, 41, 67, 71, 79, 103 and 6 more.
3 more fills are written out on the fills page.
143 bars across 15 sections: 90 keep time, 12 are fills, 7 are stops and 21 are silent. The longest unbroken stretch of time is bars 9-26.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
143 bars, about 3:11 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 29, 41, 67, 71, 79, 103 and 6 more.