135 bars of 4/4 at a walking 98 BPM, 5:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-36, 45-52 and 92-99, and 1 more place -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 28 times: bars 2, 4, 11, 12, 14, 17 and 22 more.
10 more fills are written out on the fills page.
135 bars across 20 sections: 86 keep time, 28 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 30-36.
98 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
135 bars, about 5:31 at the written tempo. The course breaks it into 55 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 28 times: bars 2, 4, 11, 12, 14, 17 and 22 more.