138 bars at 214 BPM -- fast, and 2:34 of it without a break -- on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 46-51, 98-99 and 108-115, and 1 more place -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 8 times: bars 45, 52, 53, 77, 81, 121 and 2 more.
138 bars across 17 sections: 102 keep time, 8 are fills, 8 are stops and 1 is silent. The longest unbroken stretch of time is bars 61-75.
214 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
138 bars, about 2:34 at the written tempo. The course breaks it into 57 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 8 times: bars 45, 52, 53, 77, 81, 121 and 2 more.