150 bars of 4/4 at 150 BPM, about 3:59 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-31, 50 and 52-66, and 6 more places -- 28.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 13 times: bars 9, 33, 47, 51, 67, 75 and 7 more.
5 more fills are written out on the fills page.
150 bars across 15 sections: 102 keep time, 14 are fills, 17 are stops and 4 are silent. The longest unbroken stretch of time is bars 52-66.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
150 bars, about 3:59 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 9, 33, 47, 51, 67, 75 and 7 more.