67 bars of 4/4 at 154 BPM, about 1:45 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19, 21 and 23, and 10 more places -- 24.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 11 times: bars 26, 30, 34, 36, 37, 38 and 5 more.
2 more fills are written out on the fills page.
67 bars across 8 sections: 36 keep time, 11 are fills, 4 are stops and 13 are silent. The longest unbroken stretch of time is bars 53-61.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
67 bars, about 1:45 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 26, 30, 34, 36, 37, 38 and 5 more.