104 bars of 8/4 -- not four -- at 150 BPM, 5:46 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 37-39, 41-43 and 45-47, and 1 more place -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 15 times: bars 2, 4, 6, 8, 38, 40 and 9 more.
2 more fills are written out on the fills page.
208 bars across 12 sections: 72 keep time, 15 are fills and 106 are silent. The longest unbroken stretch of time is bars 41-49.
150 BPM, in 8/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 91 out of 100; the rest of the number is everything around it.
104 bars, about 5:46 at the written tempo. The course breaks it into 45 exercises over 17 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 2, 4, 6, 8, 38, 40 and 9 more.