384 bars of 4/4 at 150 BPM, about 10:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 90, 92 and 135-137, and 19 more places -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
45 fills to learn, played 122 times: bars 2, 6, 12, 16, 20, 34 and 116 more.
41 more fills are written out on the fills page.
392 bars across 30 sections: 162 keep time, 122 are fills, 15 are stops and 75 are silent. The longest unbroken stretch of time is bars 82-88.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
384 bars, about 10:02 at the written tempo. The course breaks it into 125 exercises over 39 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
45 fills to learn, played 122 times: bars 2, 6, 12, 16, 20, 34 and 116 more.