102 bars of 6/4 -- not four -- at 175 BPM, 3:20 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17, 25 and 29, and 6 more places -- 15.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 19 times: bars 4, 8, 11, 14, 20, 26 and 13 more.
5 more fills are written out on the fills page.
102 bars across 7 sections: 41 keep time, 19 are fills, 3 are stops and 33 are silent. The longest unbroken stretch of time is bars 41-47.
175 BPM, in 6/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
102 bars, about 3:20 at the written tempo. The course breaks it into 32 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 4, 8, 11, 14, 20, 26 and 13 more.