149 bars of 4/4 at a walking 100 BPM, 5:55 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 14-20, 30-32 and 42-53, and 3 more places -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 22 times: bars 1, 5, 21, 22, 23, 24 and 16 more.
6 more fills are written out on the fills page.
149 bars across 16 sections: 107 keep time, 22 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 27-53.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
149 bars, about 5:55 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 1, 5, 21, 22, 23, 24 and 16 more.