44 bars of 4/4 at a walking 90 BPM, 1:55 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7-9 -- 7.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 18 times: bars 13, 14, 15, 17, 18, 19 and 12 more.
2 more fills are written out on the fills page.
44 bars across 4 sections: 18 keep time, 18 are fills, 3 are stops and 2 are silent. The longest unbroken stretch of time is bars 5-12.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 48 out of 100; the rest of the number is everything around it.
44 bars, about 1:55 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 30 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 18 times: bars 13, 14, 15, 17, 18, 19 and 12 more.