125 bars of 4/4 at a walking 91 BPM, 5:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 19, and 9 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 16 times: bars 105, 106, 107, 108, 109, 110 and 10 more.
125 bars across 13 sections: 82 keep time, 17 are fills and 14 are silent. The longest unbroken stretch of time is bars 10-31.
91 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
125 bars, about 5:30 at the written tempo. The course breaks it into 37 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 16 times: bars 105, 106, 107, 108, 109, 110 and 10 more.