170 bars at 180 BPM -- fast, and 3:47 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-17, 20 and 22-24, and 9 more places -- 20.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 15 times: bars 8, 9, 25, 35, 51, 52 and 9 more.
1 more fill is written out on the fills page.
170 bars across 17 sections: 74 keep time, 15 are fills, 65 are stops and 1 is silent. The longest unbroken stretch of time is bars 15-24.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
170 bars, about 3:47 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 15 times: bars 8, 9, 25, 35, 51, 52 and 9 more.