145 bars at 188 BPM -- fast, and 3:05 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-16, 19-24 and 27-30, and 3 more places -- 22.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 14 times: bars 17, 57, 73, 79, 89, 97 and 8 more.
6 more fills are written out on the fills page.
145 bars across 8 sections: 104 keep time, 14 are fills, 7 are stops and 9 are silent. The longest unbroken stretch of time is bars 18-32.
188 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
145 bars, about 3:05 at the written tempo. The course breaks it into 39 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 14 times: bars 17, 57, 73, 79, 89, 97 and 8 more.