85 bars of 4/4 at a walking 100 BPM, 3:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 45-47, and 3 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 15 times: bars 12, 20, 24, 28, 32, 36 and 9 more.
2 more fills are written out on the fills page.
85 bars across 12 sections: 41 keep time, 15 are fills, 9 are stops and 8 are silent. The longest unbroken stretch of time is bars 66-72.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
85 bars, about 3:24 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 12, 20, 24, 28, 32, 36 and 9 more.