135 bars of 3/4 -- not four -- at 97 BPM, 4:11 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-7, 22-31 and 66-70, and 1 more place -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 32 times: bars 8, 20, 40, 42, 44, 48 and 26 more.
12 more fills are written out on the fills page.
135 bars across 15 sections: 62 keep time, 32 are fills, 14 are stops and 16 are silent. The longest unbroken stretch of time is bars 87-97.
97 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
135 bars, about 4:11 at the written tempo. The course breaks it into 47 exercises over 10 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 32 times: bars 8, 20, 40, 42, 44, 48 and 26 more.