94 bars of 6/4 -- not four -- at 94 BPM, 5:55 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-5, 7-9 and 11, and 2 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 24 times: bars 6, 10, 12, 16, 24, 27 and 18 more.
4 more fills are written out on the fills page.
94 bars across 9 sections: 34 keep time, 24 are fills and 31 are silent. The longest unbroken stretch of time is bars 18-23.
94 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 31 out of 100; the rest of the number is everything around it.
94 bars, about 5:55 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 24 times: bars 6, 10, 12, 16, 24, 27 and 18 more.