543 bars, 33:58, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 350, 352-353 and 355-362, and 4 more places -- 6.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
38 fills to learn, played 169 times: bars 7, 8, 9, 10, 11, 12 and 163 more.
34 more fills are written out on the fills page.
543 bars across 40 sections: 241 keep time, 169 are fills, 3 are stops and 76 are silent. The longest unbroken stretch of time is bars 351-372.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
543 bars, about 33:58 at the written tempo. The course breaks it into 178 exercises over 67 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
38 fills to learn, played 169 times: bars 7, 8, 9, 10, 11, 12 and 163 more.