116 bars of 4/4 at a walking 102 BPM, 4:34 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 31-32, 35-36 and 39-45, and 8 more places -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 32 times: bars 10, 13, 14, 18, 22, 23 and 26 more.
7 more fills are written out on the fills page.
116 bars across 11 sections: 62 keep time, 32 are fills, 1 is a stop and 9 are silent. The longest unbroken stretch of time is bars 94-115.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
116 bars, about 4:34 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 32 times: bars 10, 13, 14, 18, 22, 23 and 26 more.