120 bars of 4/4 at 111 BPM, about 4:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 37-39, 41-42 and 75-77, and 1 more place -- 10.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 3, 4, 14, 18, 58, 60 and 6 more.
2 more fills are written out on the fills page.
124 bars across 17 sections: 63 keep time, 12 are fills, 18 are stops and 18 are silent. The longest unbroken stretch of time is bars 66-81.
111 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 94 out of 100; the rest of the number is everything around it.
120 bars, about 4:26 at the written tempo. The course breaks it into 46 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 3, 4, 14, 18, 58, 60 and 6 more.