120 bars of 4/4 at 111 BPM, about 4:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7 and 9-11 -- 5.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 34 times: bars 3, 4, 8, 12, 14, 16 and 28 more.
9 more fills are written out on the fills page.
124 bars across 19 sections: 48 keep time, 34 are fills, 12 are stops and 14 are silent. The longest unbroken stretch of time is bars 29-35.
111 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 78 out of 100; the rest of the number is everything around it.
120 bars, about 4:25 at the written tempo. The course breaks it into 55 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 34 times: bars 3, 4, 8, 12, 14, 16 and 28 more.