184 bars of 4/4 at 120 BPM, about 6:09 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-26, 28-32 and 36-42, and 3 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 28 times: bars 19, 27, 43, 57, 69, 77 and 22 more.
16 more fills are written out on the fills page.
184 bars across 23 sections: 102 keep time, 28 are fills, 14 are stops and 25 are silent. The longest unbroken stretch of time is bars 20-26.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
184 bars, about 6:09 at the written tempo. The course breaks it into 62 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 28 times: bars 19, 27, 43, 57, 69, 77 and 22 more.