240 bars of 4/4 at a walking 103 BPM, 9:19 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 34-38, 42-48 and 50-55, and 10 more places -- 15.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
37 fills to learn, played 98 times: bars 5, 6, 7, 8, 9, 11 and 92 more.
33 more fills are written out on the fills page.
240 bars across 20 sections: 95 keep time, 98 are fills, 23 are stops and 3 are silent. The longest unbroken stretch of time is bars 42-48.
103 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
240 bars, about 9:19 at the written tempo. The course breaks it into 85 exercises over 24 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
37 fills to learn, played 98 times: bars 5, 6, 7, 8, 9, 11 and 92 more.