112 bars of 4/4 at 120 BPM, about 3:44 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 21-23, 25-27 and 45-47, and 5 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 15 times: bars 20, 44, 48, 52, 82, 84 and 9 more.
7 more fills are written out on the fills page.
112 bars across 9 sections: 60 keep time, 15 are fills, 16 are stops and 15 are silent. The longest unbroken stretch of time is bars 53-71.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
112 bars, about 3:44 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 15 times: bars 20, 44, 48, 52, 82, 84 and 9 more.