158 bars of 4/4 at 140 BPM, about 4:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25, 27-29 and 44, and 12 more places -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 31 times: bars 19, 20, 21, 26, 33, 36 and 25 more.
9 more fills are written out on the fills page.
158 bars across 21 sections: 62 keep time, 31 are fills, 28 are stops and 18 are silent. The longest unbroken stretch of time is bars 13-18.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
158 bars, about 4:29 at the written tempo. The course breaks it into 65 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 31 times: bars 19, 20, 21, 26, 33, 36 and 25 more.