104 bars of 4/4 at a walking 100 BPM, 4:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 26-28, 30-32 and 56-58, and 4 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 13 times: bars 25, 29, 33, 39, 55, 59 and 7 more.
7 more fills are written out on the fills page.
104 bars across 11 sections: 72 keep time, 13 are fills, 4 are stops and 5 are silent. The longest unbroken stretch of time is bars 68-82.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
104 bars, about 4:08 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 13 times: bars 25, 29, 33, 39, 55, 59 and 7 more.