371 bars of 4/4 at 125 BPM, about 11:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-7, 9-15 and 17, and 14 more places -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 40 times: bars 8, 16, 24, 32, 40, 48 and 34 more.
21 more fills are written out on the fills page.
371 bars across 20 sections: 239 keep time, 40 are fills, 40 are stops and 38 are silent. The longest unbroken stretch of time is bars 308-325.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 73 out of 100; the rest of the number is everything around it.
371 bars, about 11:24 at the written tempo. The course breaks it into 78 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 40 times: bars 8, 16, 24, 32, 40, 48 and 34 more.