128 bars of 4/4 at 125 BPM, about 4:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41-43, 45-47 and 57-59, and 5 more places -- 16.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 34 times: bars 5, 6, 7, 8, 12, 16 and 28 more.
17 more fills are written out on the fills page.
128 bars across 18 sections: 62 keep time, 34 are fills, 7 are stops and 5 are silent. The longest unbroken stretch of time is bars 33-39.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
128 bars, about 4:06 at the written tempo. The course breaks it into 67 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 34 times: bars 5, 6, 7, 8, 12, 16 and 28 more.