125 bars at 173 BPM -- fast, and 3:22 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 51-53, 55-57 and 93-95, and 1 more place -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 18 times: bars 32, 36, 44, 47, 50, 52 and 12 more.
5 more fills are written out on the fills page.
125 bars across 15 sections: 51 keep time, 18 are fills, 5 are stops and 38 are silent. The longest unbroken stretch of time is bars 17-23.
173 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
125 bars, about 3:22 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 32, 36, 44, 47, 50, 52 and 12 more.