240 bars, 11:30, at 68 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 153-154, 157-158 and 161-162, and 13 more places -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
31 fills to learn, played 119 times: bars 9, 15, 16, 17, 19, 20 and 113 more.
27 more fills are written out on the fills page.
240 bars across 14 sections: 98 keep time, 119 are fills, 3 are stops and 9 are silent. The longest unbroken stretch of time is bars 58-80.
68 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
76 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 58 out of 100; the rest of the number is everything around it.
240 bars, about 11:30 at the written tempo. The course breaks it into 72 exercises over 26 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
31 fills to learn, played 119 times: bars 9, 15, 16, 17, 19, 20 and 113 more.