127 bars of 4/4 at 135 BPM, about 3:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 31-33, 35-36 and 74-76, and 3 more places -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 26 times: bars 1, 2, 3, 4, 8, 9 and 20 more.
8 more fills are written out on the fills page.
127 bars across 14 sections: 70 keep time, 26 are fills, 13 are stops and 9 are silent. The longest unbroken stretch of time is bars 111-125.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 52 out of 100; the rest of the number is everything around it.
127 bars, about 3:23 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 26 times: bars 1, 2, 3, 4, 8, 9 and 20 more.