117 bars of 4/4 at 138 BPM, about 3:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-19, 45-51 and 101-107 -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 32 times: bars 8, 11, 12, 20, 21, 22 and 26 more.
6 more fills are written out on the fills page.
117 bars across 13 sections: 70 keep time, 32 are fills and 2 are stops. The longest unbroken stretch of time is bars 28-37.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
117 bars, about 3:23 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 32 times: bars 8, 11, 12, 20, 21, 22 and 26 more.