150 bars at 155 BPM -- fast, and 3:52 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35-43, 85-87 and 121-127 -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 16 times: bars 5, 7, 88, 93, 94, 95 and 10 more.
2 more fills are written out on the fills page.
150 bars across 26 sections: 91 keep time, 16 are fills, 7 are stops and 25 are silent. The longest unbroken stretch of time is bars 129-138.
155 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
150 bars, about 3:52 at the written tempo. The course breaks it into 49 exercises over 15 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 16 times: bars 5, 7, 88, 93, 94, 95 and 10 more.