190 bars of 4/4 at 132 BPM, about 5:45 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-33, 35-37 and 63-69, and 23 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 20 times: bars 25, 59, 60, 61, 70, 80 and 14 more.
4 more fills are written out on the fills page.
190 bars across 11 sections: 94 keep time, 20 are fills and 67 are stops. The longest unbroken stretch of time is bars 40-58.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
190 bars, about 5:45 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 20 times: bars 25, 59, 60, 61, 70, 80 and 14 more.