129 bars of 4/4 at 135 BPM, about 3:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-7, 10-11 and 35, and 18 more places -- 32.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 11 times: bars 17, 33, 37, 45, 73, 77 and 5 more.
1 more fill is written out on the fills page.
129 bars across 8 sections: 106 keep time, 11 are fills and 4 are silent. The longest unbroken stretch of time is bars 57-72.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
129 bars, about 3:48 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 17, 33, 37, 45, 73, 77 and 5 more.