97 bars of 4/4 at 135 BPM, about 2:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17-23, and 3 more places -- 28.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 9 times: bars 4, 24, 32, 37, 53, 69 and 3 more.
4 more fills are written out on the fills page.
97 bars across 11 sections: 69 keep time, 9 are fills, 5 are stops and 5 are silent. The longest unbroken stretch of time is bars 9-23.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
97 bars, about 2:52 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 9 times: bars 4, 24, 32, 37, 53, 69 and 3 more.