125 bars of 4/4 at 120 BPM, about 4:10 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-31, 33-34 and 38-39, and 8 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 13 times: bars 16, 26, 36, 37, 76, 77 and 7 more.
1 more fill is written out on the fills page.
125 bars across 17 sections: 58 keep time, 13 are fills, 26 are stops and 17 are silent. The longest unbroken stretch of time is bars 8-15.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
125 bars, about 4:10 at the written tempo. The course breaks it into 44 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 16, 26, 36, 37, 76, 77 and 7 more.