88 bars of 4/4 at 140 BPM, about 2:31 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 27, 29 and 31, and 2 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 14 times: bars 55, 56, 57, 58, 59, 60 and 8 more.
88 bars across 6 sections: 54 keep time, 14 are fills, 5 are stops and 8 are silent. The longest unbroken stretch of time is bars 19-39.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 82 out of 100; the rest of the number is everything around it.
88 bars, about 2:31 at the written tempo. The course breaks it into 24 exercises over 11 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 14 times: bars 55, 56, 57, 58, 59, 60 and 8 more.