The beat the song is built on is a 2-bar phrase, played through bars 27, 29 and 31, and 2 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on crash, hi-hat, snare, high tom, mid tom, floor tom and kick, counted in sixteenth notes. On its own it scores 78 out of 100 -- demanding -- and the thing that decides that is how many notes a second it asks for.
The whole song is 70 out of 100, so the beat is most of what the song asks for. Get it clean and the rest follows.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 77 BPM -- and adds the notes back over 5 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 77, 93, 109, 124 and 140 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, hi-hat, snare, high tom, mid tom, floor tom and kick, in 4/4 at 140 BPM, counted in sixteenth notes. It is written out above, and it covers 15% of the bars the kit plays.
Bars 27, 29, 31 and 33, and 1 more place. The time is kept on the toms to start with, and it changes 5 times over the song.
78 out of 100 on its own -- demanding. The song as a whole is 70 out of 100: demanding, mostly on the independence between the hands and the feet.