71 bars, 3:49, at 74 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 34, 38 and 61-63, and 1 more place -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 23 times: bars 11, 15, 23, 25, 27, 29 and 17 more.
10 more fills are written out on the fills page.
71 bars across 5 sections: 42 keep time, 23 are fills and 3 are silent. The longest unbroken stretch of time is bars 4-10.
74 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
57 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 35 out of 100; the rest of the number is everything around it.
71 bars, about 3:49 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 23 times: bars 11, 15, 23, 25, 27, 29 and 17 more.