141 bars of 4/4 at a walking 105 BPM, 5:22 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 18-20, and 11 more places -- 30% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 5 times: bars 1, 9, 40, 71 and 95.
141 bars across 10 sections: 120 keep time, 5 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 117-141.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
141 bars, about 5:22 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 1, 9, 40, 71 and 95.