586 bars of 4/4 at 150 BPM, about 15:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 330, 334 and 338, and 10 more places -- 10% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
33 fills to learn, played 57 times: bars 1, 9, 21, 25, 34, 68 and 51 more.
29 more fills are written out on the fills page.
587 bars across 48 sections: 292 keep time, 57 are fills, 146 are stops and 48 are silent. The longest unbroken stretch of time is bars 43-65.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
586 bars, about 15:36 at the written tempo. The course breaks it into 174 exercises over 56 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
33 fills to learn, played 57 times: bars 1, 9, 21, 25, 34, 68 and 51 more.