88 bars of 4/4 at a walking 83 BPM, 4:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22, 24 and 26, and 15 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 18 times: bars 9, 17, 21, 28, 29, 30 and 12 more.
9 more fills are written out on the fills page.
88 bars across 12 sections: 49 keep time, 18 are fills and 8 are silent. The longest unbroken stretch of time is bars 10-16.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
88 bars, about 4:14 at the written tempo. The course breaks it into 34 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 18 times: bars 9, 17, 21, 28, 29, 30 and 12 more.