250 bars of 4/4 at a walking 100 BPM, 10:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 186-188, 206-208 and 210-213, and 4 more places -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 29 times: bars 52, 92, 96, 101, 108, 116 and 23 more.
16 more fills are written out on the fills page.
250 bars across 28 sections: 115 keep time, 36 are fills, 58 are stops and 12 are silent. The longest unbroken stretch of time is bars 118-126.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
250 bars, about 10:00 at the written tempo. The course breaks it into 96 exercises over 26 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 29 times: bars 52, 92, 96, 101, 108, 116 and 23 more.