118 bars of 4/4 at 150 BPM, about 3:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-35, 53-59 and 61-67 -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 8 times: bars 28, 52, 77, 78, 82, 86 and 2 more.
118 bars across 14 sections: 83 keep time, 8 are fills, 10 are stops and 3 are silent. The longest unbroken stretch of time is bars 6-18.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
118 bars, about 3:09 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 28, 52, 77, 78, 82, 86 and 2 more.