264 bars of 3/4 -- not four -- at 79 BPM, 10:50 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 46-47, 50-51 and 54-55, and 13 more places -- 10% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 115 times: bars 7, 8, 9, 11, 12, 13 and 109 more.
22 more fills are written out on the fills page.
264 bars across 23 sections: 105 keep time, 116 are fills, 8 are stops and 5 are silent. The longest unbroken stretch of time is bars 124-134.
79 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 77 out of 100; the rest of the number is everything around it.
264 bars, about 10:50 at the written tempo. The course breaks it into 90 exercises over 32 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 115 times: bars 7, 8, 9, 11, 12, 13 and 109 more.