118 bars at 180 BPM -- fast, and 2:37 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 12 and 14, and 11 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 27 times: bars 9, 13, 17, 23, 25, 28 and 21 more.
6 more fills are written out on the fills page.
118 bars across 14 sections: 61 keep time, 27 are fills, 15 are stops and 1 is silent. The longest unbroken stretch of time is bars 46-51.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
118 bars, about 2:37 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 27 times: bars 9, 13, 17, 23, 25, 28 and 21 more.