162 bars at 180 BPM -- fast, and 3:33 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 48-49, 52-53 and 56-57, and 8 more places -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 20 times: bars 6, 18, 25, 26, 29, 33 and 14 more.
9 more fills are written out on the fills page.
162 bars across 19 sections: 59 keep time, 20 are fills, 56 are stops and 11 are silent. The longest unbroken stretch of time is bars 10-17.
180 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
162 bars, about 3:33 at the written tempo. The course breaks it into 57 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 20 times: bars 6, 18, 25, 26, 29, 33 and 14 more.