96 bars of 3/4 -- not four -- at 90 BPM, 3:12 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 20 more places -- 31% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 18 times: bars 4, 25, 26, 39, 40, 43 and 12 more.
2 more fills are written out on the fills page.
96 bars across 8 sections: 62 keep time, 18 are fills, 1 is a stop and 9 are silent. The longest unbroken stretch of time is bars 5-24.
90 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 30 out of 100; the rest of the number is everything around it.
96 bars, about 3:12 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 18 times: bars 4, 25, 26, 39, 40, 43 and 12 more.