174 bars of 4/4 at 147 BPM, about 4:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12-18, 20-22 and 24-25, and 3 more places -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 44 times: bars 1, 9, 11, 19, 27, 28 and 38 more.
14 more fills are written out on the fills page.
174 bars across 15 sections: 98 keep time, 44 are fills, 7 are stops and 8 are silent. The longest unbroken stretch of time is bars 2-8.
147 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 36 out of 100; the rest of the number is everything around it.
174 bars, about 4:44 at the written tempo. The course breaks it into 56 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 44 times: bars 1, 9, 11, 19, 27, 28 and 38 more.